Winter's Tale | In Defense of Sentimentality

Dear Blue,

I'm so sorry that I haven't written in a long while. It's really Winter's Tale' fault. When I first watched the trailer, I was stunned at the stark emotion flooding from Colin Farrell's eyes. I think it's rare to find this kind of unabashed emotion flowing from someone else, and it immediately drove me to discover more about the story. And then I discovered that Winter's Tale was adapted from a novel...don't tell me that a film was adapted from a novel, because I'll make it my mission. What I discovered was a 700+ page (exquisitely written) monolith that tells a simple (or not so simple) love story rooted to complex and even lofty ideas of love, justice, faith and purpose that really astounds me. But more on that later, as I haven't finished the novel yet.

I saw the film yesterday, and I thought I'd take a moment to write you about what has amazed me most (so far) about unabashed sentimentality.

If you decide to read Winter's Tale or watch the film (I do recommend both), you'll discover that the main protagonist, Peter Lake, has a heart the size of the Atlantic ocean. He's an orphan who has, unfortunately, been thrust into quite a few unsavory scenarios in a seeming unforgiving Edwardian New York City, via the crazed Pearly Somes. But his heart somehow remains pure, in that he wants what everyone wants: to discover his purpose, to love and be loved, and to stand up for the justice of the impoverished. When Peter meets Beverly, a young woman with consumption, his purpose cracks wide open in a split second, and they are unafraid to immediately plunge into the kind of love that can put off some in this generation. Perhaps, it's Beverly's precarious situation that renders them unwilling to be bothered with pretensions and games of their feelings. Peter and Beverly's love for each other, beautifully portrayed by Mr. Farrell and Ms. Findlay, is a wonder to behold. It immediately seems plausible that their love and care for each other's welfare is genuine. A few people have reviewed the love portrayed in the film as naive, unbelievable, or cliche. I don't argue against those, as everyone has their own preference. But my question is, what is real love, if not an unabashedly naked naivety that exposes all of the uncomfortable bits we've all been made to feel are childish?

I think that sometimes the world can seem so harrowing, that we retreat into a fortress within ourselves, where a voice says, "Stand Strong. Don't cry. Always be a step ahead of everyone else. Never show weakness. Never show them how you really feel." When we see the opposite of these emotions played out, it can feel absolutely ridiculous. It's all a risk. Every single layer of love seems as if it were designed to be the nuclear bomb to our defenses. It's sticky, warm, and shakes us out of our caricatures, and into our true selves, which can be unnerving. But consider that continuing to love, to be tender and open in a war zone of a world, holds more courage than artificial stoicism. When did we start believing that apathy is worth aspiring to? If love weren't like this, what would be worth the fight? If it didn't so expose who we think we are as lies, what would be the point?

In defense of sentimentality in storytelling, I say, yes, there are loads of manufactured stories of love at first sight. By all means, stay away from those. But there are some stories that are real. Some that are possible in real life with God fashioning it. Sometimes watching them, or reading about them may make you laugh, or roll your eyes. But even that doesn't make them any less possible.

If I've taken nothing else from this novel/film, it's that for all of us, truly awe inspiring things are possible, but the hard and even cliched answer is, you must have faith for any of these things to come true.

If you've seen or read Winter's Tale, what did you think of them (no spoilers, as I'm only 300 pages into the novel :-)?

Loads of Love,

Lit Rants | Overcoming the Default: Why More Multicultural Lit Needs Showcasing.

Over the past year I noticed two occurrences where authors were questioned or applauded on their decision to make main characters multicultural. Zoraida Cordova was thanked by one of her fans for making the love interest in her series The Vicious Deep, half Ecuadorian, half Greek, and she also discusses what it is to be an Ecuadorian woman writing fantasy in her guest post for Diversity in YA. While Rainbow Rowell, author of what could be the most loved young adult novel in 2013, Eleanor and Park, addressed a question that some wondered regarding why Park is Korean, to which she delivers the best answer: "Because Park is Korean." I don't believe that these questions are even asked in a malicious way, but they are a clue that we see so little Multi-Cultured characters in our novels that it makes us wonder what made the author deviate from the norm. Then there are occurrences where showcasing characters as a different ethnicity meets challenge, e.g. the unbelievable controversy over young Rue in The Hunger Games being cast as a young black girl, when Suzanne Collins herself describes her as having dark brown skin. I admit that whilst reading The Hunger Games before the film, I wasn't even paying attention to many of the different descriptions of characters because it's ingrained in my mind that most will be Caucasian. Upon discovering Amandla Steinberg was cast, I thought she was the most adorable girl! But seeing the challenges this met with, plus rediscovering that the character was painted as having a different ethnic background, it made me question what exactly the problem is.

We don't, hopefully, go around asking our friends or associates, "Hey, why are you black, or Irish, or Puerto Rican...." so why should our literature only boast one race or cultural background? The peeve that I have with any form of questioning like this is the media's saturation of one look, one culture, or one place being the default. If the world comes in a variety of 'settings' why accept one default as normal? It shouldn't have to mean that an author is being 'gimmicky' by adding a character of a different race or background into their story. They are merely presenting the world that we live in. Every one is not white, blond, or blue/brown eyed, or comes from the Western World. We all range from the palest of creams, to the deepest of chocolate browns, and they all should be showcased in fiction, especially Young Adult.

While reading Ink by Amanda Sun, I realized that part of my overwhelmingly refreshed response to it was due to the fact that the setting is Japan, and the main love interest and most supporting characters are Japanese. Traditional tropes in any genre can become cliched if the same molds are used, but when intertwined in different cultures, countries, or ethnicities, can become startlingly fresh. 

As an African American writer, I wonder why some in the world think it strange for me, or any one who isn't Caucasian, to write fantasy, or off the beating path. My question is, why not? I am a black woman who's always loved reading fantastical tales, but have found it lacking in diversity. It can be so alienating to read books where no one looks like you, or has similar experiences to yours, and can often exacerbate stereotypes that may exist for some cultures and ethnicities. I remember being so excited whilst reading The Perfect Chemistry series by Simone Elkeles, to read about Hispanic main characters tackling stereotypes around them, and the similarities that, at the end of the day, bring us all together.

Why can't there be African American/Caribbean fairies, or Hispanic vampires, or Bi-Racial Hogwarts students? Why can't we discover what its like to be an Aboriginal Australian girl/guy in a YA adventure, or have an Icelandic heroine, or an old fashioned treasure hunt in Africa with a Nigerian protagonist? A Taiwanese prince? Who lives in Greenland...what happens there? As much as we adore Britain (my own novel is set in London), or Paris and Italy, I also want to discover something new.  Showcasing more novels where these differences are celebrated can make a world of difference in the minds of readers everywhere. It will give the world something new to discover about the people around them.